cooking

A Post: About Thanksgiving (Nominally) by Mikaela Cortopassi

It will take me a while to land the plane that is this post, but I promise I will get there.

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My solitude used to come in bite-sized pieces.

If Ed Norton’s character in Fight Club has single-serving friends on flights, then I certainly had single-serving moments of introspection. Six years of six a.m. flights. Of bad plane coffee. Of sprinting through CLT trying to make a hopeless connection. Of inconsistent WiFi and spotty access to charging. Of hour-long cab rides into the city, doing my makeup just as we hit the Midtown Tunnel, while turning the back seat into a mobile workstation. Of renting what was tantamount to an overpriced closet where I occasionally slept and more often did laundry. Of sustaining friendships with unexpected drop-ins.

Of measuring my life in miles.

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2020 was – if it had continued as it began – going to be a banner year for business travel. I flew over 60,000 miles across 56 flights this year, 52 of which happened before March 15th. That old tale of the shark who dies if it stops swimming… that is the life of the business traveler. If you actually stopped to reflect on what you were doing, there would be just no way to make it work.

When all things came to a screeching halt with me “stranded” in California, I was forced to take that step back that I never wanted to take. I could have just as easily kept kicking the travel can down the road and telling myself sweet little lies like, “you’ll slow the pace of travel after this fiscal year” (said, of course, every fiscal year) or the even more insidious, “buck up, you’re tough enough to handle this.”

It’s not toughness, friends. It’s not fortitude. It’s stubbornness, pure and simple. And a healthy dash of fear of the unknown.

Could I be happy in one place? I can’t say I’ve ever really tried.

The truth is that I’ve lived a casually and ridiculously privileged bicoastal life, being neither here nor there, but just where I needed to be in the exact moment in time I needed to be there. The concept of a fixed “here” felt (and if I’m being honest, there are moments where it still feels) oppressive, and I would have surely cracked from Shelter-in-Place had I been cooped up alone in my Atlanta apartment.

I can’t say I believe in fate, but it was a stroke of pure luck that things stopped when I just happened to be in the Bay Area. They say you can’t go home again, but in many ways I think I have. The city is deeply different and yet my neighborhood feels exactly the same, with just a tiny bit of apocalyptic flair.

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Having passed the 8 month mark from California SIP orders, my quarantimes look like this: 3.5 months each at my parents’ house and at my old/new building in the Mission, bisected by the most surreal month in Atlanta to pack my things. And though I was hardly isolated for 7 of those 8 months, it was impossible not to feel unmoored, adrift, listless, unenthused. Purposeless. Emotion I normally would ignore or kick down or push through. Or – when I was really in my feelings – go volunteer about. Those outlets I had nearly all are gone.

A quick digression: suffering is not an Olympic event. I’ve been incredibly incredibly lucky this pandemic and for that I’m so grateful, but it doesn’t mean that I haven’t had my frustrations. We all do, and we’re all allowed to feel them, and acknowledge them, and process them as we need to. Guilt is not a particularly utile emotion in times like these. Ours is a zeitgeist of ennui, to be sure. Universal as it comes.

Eventually, I turned to ritual in hopes of reclaiming some kind of anchor. And all of my rituals, my holidays, my family ties, all of it: they all seem to start or stop in the kitchen.

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Cooking and baking tend not to be skills in which one acquires any true proficiency when one spends an average of ten nights (that is to say, twenty days) a month in hotels, on the road. In a way I’ve spent a lifetime of sponging up what I could, where I could: there was the after school cooking for kids program that my best friend’s mom ran from the teacher’s lounge at my elementary school—I still remember the lesson on folding batter. Or “baking” with my dad as a toddler, sometimes getting to stir but always getting to be the taste tester. Or at the elbows of my grandmothers, both excellent cooks with the mysterious kitchen idiosyncrasies that only old home cooks really can have. Or in that one soup kitchen in Manhattan that has access to a restaurant kitchen, but you have to be in Midtown by 5:30 on what is inevitably a frigid fall morning, worrying the whole way if the 5 will have issues, but the reward is getting to use an industrial mandolin and – hopefully – keep all your fingers. Or working in the phenomenal industrial kitchen in Atlanta where spaghetti is made in 40 gallon tilt skillets and stirred with what could only be described as an erstwhile rowboat oar.

Food justice and food equity are so important to me because it’s so primal, both in terms of human need and also in the satisfaction one gets from feeding others. I’m Italian: we cook to say we love you as much as we actually say the words.

I dabbled early in the year with what I ended up terming “Mik’s Quarantine Cucina,” basically Instagram stories of what I was cooking, how I was trying to make sense of our rapidly changing lifestyles, of the weird hoarding and ingredient shortages happening early on. It was nice to have something glib and fun and relatable and ended up being an easy way to stay connected to my East Coast friends and colleagues. You can get out of those awful “how are you?” conversations that everyone either lies about for politeness’s sake or gets too real and then you’re all in that rona pit together. We had something tangible to talk about that wasn’t more of the same, more of the quotidian exhaustion. It’s the same reason people got puppies and Pelotons, something to shake things up.

And so I threw myself into Thanksgiving cooking this year. That wasn’t particularly new; with no grandmas at the helm for the last 4 holiday seasons, I’ve certainly pitched in on dishes here and there. All the time, knowing I was missing the vital ingredient: old hands (as my zia says). I feel my grandmas’ absence most acutely at this time of year, as I think is common for most (whether with your family you’re born into or with the family you make).

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This week was an orgiastic flurry of stirring and chopping and folding and sautéing and kneading and fraisage. A little bit French (pâtes, brisée & sucrée, one of each), a little bit Italian (ravioli in the style of my nonna’s mom, Nonnie B), a little bit American (3 recipes I took from the NYT foods section before I canceled my subscription in a fit over their publication of the Cotton op-ed), and even a little bit Somali (I would be remiss if I didn’t throw in a little plug for Hawa Hassan’s brilliant In Bibi’s Kitchen, which has energized my cooking over this month). There was even a little bit Chinese though it wasn’t done by me – maman made her mom’s (my popo’s) traditional day-after-Thanksgiving turkey jook (粥). I took pictures here and there, thinking to do some sort of post around technique that I always find frustratingly lacking in recipe blogs.

Dinner came together in fit of chaos, as it always does. Even with all the forethought in the world, we still run through the marathon of all the things having to get heated or cooked in the final hour. And though my parents’ kitchen is bigger and better equipped than either of my grandmas’ kitchens, the three of us were constantly on top of one another, vying for burners or ovens or even the microwave and trying to help each other stay moving. There were two last minute mishaps (exploding ravioli and these fussy potatoes where I just couldn’t get the butter to emulsify), and at one point I was caught muttering, “happy fucking Thanksgiving,” which thankfully sent us all into hysterics.

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As I realized, sitting at the table by myself after the meal, I was cooking as much as anything to wrap myself in ritual and thumb my nose at the all loss all around me. It wasn’t a conscious decision to be incredibly extra about the holiday, but it was clearly all the angst of this oddest of years coming to the surface. I didn’t need to make two kinds of stuffing. I didn’t need to make two desserts with two different doughs. There were so many ways to simplify and streamline this process, and yet.

Most of us are not taught to grieve in any real way and there are some truths about grief that can’t be anticipated, only learned through experience. And when you take a year of such deep collective loss where there is no space given for commensurate public grief, it’s no wonder so many of us are struggling to cope in our own ways. Moving forward without going through the grieving process is not, in fact, moving forward – you’re just burying the problem, only to have it pop back up later, often times inconveniently and messily. We need time; we need patience with one another. We need patience with ourselves. And try though I might, you can’t just cheer it away, and relentless positivity is equally toxic to negativity.

I wish I had arrived at some sort of profound conclusion at the end of all this, but it, not unlike everything else, seems to be a work in progress. And that will do for now.

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Tutti a Tavola by Mikaela Cortopassi

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First, a word from our lawyers. (No, not really.)

This is not a recipe. I hate all those self-important food blogs that want to tell you a condensed memoir and bury a recipe after an extended diatribe. There is something to be said for food writing. Those posts? Not food writing. If I can't taste what you ate from your words, imagine the scents and mouthfeel, get lost in your prose, then I don't want it.

(I do very much get that search engines make it hard for recipe creators to make money on what they’re doing… I’m just asking for the stories that accompany to be more useful and food-oriented. Because I’m a jerk.)

Besides, when it comes to pasta, I really don't use recipes.

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One of the great joys of being in Italy is of course cooking in Italy. It isn't just the fact that there are ingredients in abundance I can't easily get stateside; I have some asinine romantic notion of a connection to my history via food.

And when I say "asinine romantic," I do mean that in all honesty. Here I'm cooking bucatini all'amatriciana, a perfect epitome of cucina lazialeMy family is not and has never been from Lazio. It's not my history. Furthermore (if we really want to get into the historical accuracy of the dish) it should be tomato-free.

When I lived in Bologna, my roommates were amazed that I knew how to cook Italian food. None of our friends cooked – at best, they'd boil pasta and dump on some sauce that mamma sent from home. My American friends wanted to learn and, in teaching them, I learned that I can be an absolute tyrant in the kitchen. People wanted to improvise without a baseline understanding of how flavors meld nor the importance of handling things just so lest the texture be ruined.

It was a disaster, and – again – I am a jerk.

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I prefer l'amatriciana with long, discernible strips of its ingredients. The soft sharp bite into a perfectly sautéed onion makes the process of chopping them all worth it. I'm one of those people who look a perfect horror chopping onions - sobbing, runny nose, the whole nine. Worth. It. 

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The real star of the dish is of course guanciale, a type of cured pork that comes from the cheeks (guance in Italian) and is porky, fatty, wonderful. It's typical of Central Italy, but this came from the deli counter at a supermarket in Tuscany, and I had no complaints.

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A quick melancholic digression.

The news of Tony Bourdain's death came the day before, and it hit me harder than I would have expected. I don't know if I realized what a big fan I was, and not for the harsh, sometimes crass, badass rockstar persona, but for the way he traveled. Respectful, curious, warm, enthusiastic, adventurous, and joyful. He was my inspiration for a number of trips – mostly recently, Sénégal – and cooking something with love for people I love seemed like an appropriate way to honor him.

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This trip made me question why lard has such a negative connotation – it's hard to imagine anything more magical and comforting than rendering pork fat to begin preparing a meal. The kitchen fills with an earthy smoke, the slices glisten and sparkle as they turn quickly transparent.

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Next go the first round of peperoncino (red pepper flakes – not the sweet green pepper from pizza places) and our sliced onions. The way I learned to cook pasta is that certain ingredients are allowed to steep in the cooking oil as it heats, garlic and peperoncino in particular. This imbues the dish with a consistent but mellower bite of the flavor in question. If you like things spicy – as I certainly do – you add more at the end for the sharp kick and additional complexity.

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Tomatoes get added as the onions are set on a low burner to soften, and this is where I'm quickly exposed as a heretic of sorts: I use canned tomatoes. Is it crazy? Maybe, but canned San Marzano tomatoes instead of some watery uncertain early-in-the-season pink things from the grocery store are my preference every single time. I use a combination of passata – like a purée but rougher – and pomodori pelati (skinless) that I slice again into long strips.

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And now another bit of heresy: this sauce is wonderful on day two and beyond. Italians don't believe in leftovers, but I'm going to lean into my Americanness wholeheartedly to say that day three bucatini all'amatriciana pan fried and lightly burnt with lots of stinky pecorino is probably a top ten dish for me. I like my pasta sauce relatively tight – or as my dad called it as a kid, "pastashoota," properly rendered as pasta asciutta (dry) – so I let the tomato thicken up. While it's cooking, salt to taste and add more peperoncino for good measure.

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Now there is one important thing that I should have mentioned at the beginning... get your water boiling. Use the biggest pot you have. Salt it well. Retain a cup of the water before draining just in case your sauce is too tight. Pasta should be cooked al dente or not at all. On this I am 100% purist, and it's frankly non-negotiable.

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Now comes the good part. Once the sauce and pasta have been united and the sauce is as tight or loose as you like, portion it out and cover the mountain of pasta with a thick snowfall of grated pecorino romano.

The end result should be some kind of perfection: noodles with body and heft, a rich but not too heavy sauce redolent of earthy pork, soft sweet onions, bright fresh tomato, the lingering heat of the peperoncino, and just-slightly-funky-but-all-the-way-salty cheese. As a tribute dish to the memory of a constant inspiration, one could do worse. Buon appetito.